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Jan Rajlich Jr.
RY JAN RAJLICH JR. Jan Rajlich Jr. is a world-renowned designer, architect, and educator. He studied Architecture at the Brno University of Technology, Czech Republic. He also obtained a degree in Graphic Design from the Academy of Arts, Architecture and Design in Prague. During his professional career he has worked in the Interior Design Area at the State Project Institute for Commerce. He was a professor at the Higher School of Art and Design in Brno. He was Head of the Department of Industrial Design. from the VUT Brno University of Technology (1994-2004). His work has traveled the main cities of the world: Brno, Emmerich, Fort Collins, Moscow, Olomouc, Osaka, Ostrava, Prague, Trnava, Vyskov, Warsaw, Vienna, Kharkov, Chaumont, Lahti, La Paz, Lille, Mexico, Moscow. , Ningbo, Ogaki, Osaka, Oostend, Paris, Quito, Rzeszow, Sharjah, Shenzhen, Sofia, Taipei, Tokyo, Trnava, Warsaw, Wroclaw, Zagreb, Zilina, among others. He is the author of many brands and logos. He created the visual style for the Brno Biennale (1980-1992), the orientation and pictography system for the BVV production buildings (1984), the JVS, and the Orgrez Brno design manual (1999). He was a member of the Organizing Committee of the International Design Biennale in Brno (Chairman of the Committee). He is currently president of the Brno Biennial Association. He is an international jury, he has been a member of multiple international juries: Biennale Golden Bee Moscow (1992, 1999), Zgraf Zagreb (1995), Biennale Rzeszów (1997), The 4th Block Kharkov (1997, 2003), Biennale Tehran (2007), Taiwan International Award Poster (2007), Taiwan International. Student competition (2008, 2013), Biennale Mexico (2008), Ecoposter Triennale Zilina (2000, 2002, 2005, 2008, 2011, 2014, 2017, 2020), Trnava Poster Triennale (2012), IPA – International Poster Exhibition Leipzig ( 2020)), among others. Jan Rajlich Jr. has been awarded several times, including: Applied Arts Award of the City of Brno 2001, Leipzig Democracy Poster Award 2018, Silver Medal 2018 from VUT Brno University of Technology, among others. He is an honorary member of the Masaryk Academy of Arts in Prague (1991) and of the International Society of Graphic Designers USA (1995).
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Niklaus Troxler
Niklaus Troxler, is a world renowned designer, studied at the Lucerne School of Art (Switzerland). He was Art Director of the Hollenstein Création in Paris. His works are in the permanent collections such as in the Museum of Modern Art in New York, Cooper Hewitt Smithsonian Design Museum New York, the Hamburg Industrial Arts Museum, the Wilanow Poster Museum in Warsaw, the Ogaki Poster Museum, the German Poster Museum at Folkwang Essen, the Bibliothèque Nationale in Paris, the Staedelijk Museum in Amsterdam among others. He has been a professor at the State Academy of Art and Design in Stuttgart (Germany). Own Graphic design studio since 1973. He has been a member of AGI (Alliance Graphique Internationale) since 1989. Troxler, has his own graphic design studio since 1973, is part of the golden generation of Swiss design. He is also passionate about jazz and was an organizer of jazz concerts and festivals in his country. Troxler has been awarded several times in the design sector: Vestag Cultural Prize (1977), Central Switzerland Cultural Prize (1982), Warsaw Poster Biennale, Brno Design Biennale, Festival de l’Affiche de Chaumont, the Toyama Poster Triennial, Mexico Poster Biennial, Lahti Poster Biennial, Helsinki Poster Biennial, Moscow Poster Biennial, Taiwan International Graphic Design Award, Ningbo Poster Biennial, International Triennial of Hong Kong Posters, Zgraf International Design Contest, Hangzhou Poster Biennale. As well as many awards from the Swiss Art Directors Club, New York Art Directors Club, Europe Art Directors Club, New York Type Directors Club, Tokyo Type Directors Club, Red Dot Communication, Annual European Design Awards, among others. His publications in the design sector include: The master of design (Page One Books, 2007). Design and designers (Pyramyd Book Nr. 054, 2007); Niklaus Troxler (ggg, World Graphic Design Nr. 80, 2007). Niklaus Troxler Posters – Jazz Blvd. (Lars Müller Publishers, 1999), Master and Students (China Youth Press, 2004); Willisau and all that jazz (Till Schaap, 2010)
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Kye-Soo Myung
Kye-Soo Myun, is a world renowned designer, specialized in typography and identity design. He graduated with honors with Professor Myung-kwang Kwon, at Hong-ik University (Korea) He was an educator at the Seoul Institute of the Arts (Seoul Institute of the Arts), and later at Konkuk University. Later he was dean in the Faculty of Art and Design mentioned university. He is currently Professor Emeritus of Konkuk University He has been a visiting scholar at Syracuse University and Boston University (USA). His professional interests include not only typography, but also contemporary painting, graphics, and art media. He has been awarded the Gold Minister of the Korea Design Exhibition Awards, President of Education Award-Konkuk University and the Grand Prize of the Korean Font Contest (Font; Korean Bright-font) He is an international jury, he has been a member of the jury of the Korea Design Exhibition Awards on several occasions. He has been a jury of the International Biennial of Design Calanca Switzerland, 17th International Biennial of Theater Poster in Rzeszów, Wonders 2020-Borderless Graphic Designers Group / Canada, among others. He was president of the Visual Information Design Association of Korea (VIDAK). He is a member of the China International Design Educators Association (CIDEA) and a member of the Borderless Graphic Designers Group / Canada. He has been a member of the Choong-Ju City Advisory Committee, Member of the advisory committee of the Korea Design Promotion Institute. He is also a former vice president of the Federation of Design Associations, former director of the Korean Society for Design Studies, former vice president of the Korea Brand Design Association, among others..
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Walter Sardonini
Walter Sardonini (Italy). After his classical studies, he continued his passion for painting and the visual arts. He has worked visual communication for many institutions and brands including: Unicoop Firenze, Italian Theater Organization (ETI), Ataf Route Network, among others. His graphic work ranges from the creation of posters, to the design of institutional logos, through the construction of complex orientation systems, the design of book series, to the preparation of exhibition events. It is worth remembering the graphics for the historic Teatro della Pergola in Florence, the institutional visual identity of the city of Florence, the representation of the pedestrian orientation systems and the city’s public transport. He also covers the biggest Italian publishers such as UTET, RCS Media Group and Mondadori. In 2000 he founded SocialDesign, a studio for architects and designers that develops professional and research activities in the field of design and communication, in the fields of public utility, the city, institutions, culture and information; as well as in the field of architectural and urban enrichment, the protection and enhancement of cultural heritage, with plans and projects aimed at the recovery of public spaces, urban fabrics, building design, exhibition spaces and museums. Walter Sardonini’s work is published in magazines, biennials and museums around the world. Part of his career and his works have been written by Arturo Carlo Quintavalle and Gillo Dorfles in the introductory essays to the volume Epoca 1945-1999, “Posters in Italy between the old century and the new millennium”, Protagon Editori Toscani. Siena, 1999 . Stefano Rolando, Citytelling, Egea, Milan, 2014; among other authors.
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Marat Guelman
Marat Guelman (born Chisinau) — Russian collector, curator and publicist. Owner of the first private gallery in Russia from 1990 to 2012. From 2008 to 2013, he was the founder and director of the PERMM Museum of contemporary art in Perm, the first museum in Russia outside of Moscow and Saint Petersburg. During his tenure there was extensive coverage of the Cultural Revolution that has been praised for transforming the city from an industrial city to a prominent cultural center on the outskirts of Moscow and St. Petersburg. Since 2014, he has been implementing art residencies in Montenegro within the Dukley European Art Community, and since 2017, he has been holding the annual forum of Russian culture in Europe “Slovonovo”, co-founder of international schools of art and design Golden Bee Academy in Montenegro.
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Elizabeth Resnick
Elizabeth Resnick is a Professor Emerita, former chair of Graphic Design and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts. She earned her B.F.A. and M.F.A. degrees in Graphic Design from Rhode Island School of Design, Providence, Rhode Island. Elizabeth Resnick Design, an independent Boston design studio was in operation from 1973–1996. Clients included: Ciba Corning Diagnostics Corporation, Store 24, Animal Rescue League of Boston, AIGA Boston, Massachusetts College of Art, and other area schools plus many local non-profit cultural organizations. Professor Resnick is a passionate design curator who has organized seven comprehensive design exhibitions: Within/Without: The Art of Russell Mills with Teresa Flavin (1991); Dutch Graphic Design: 1918–1945 with Alston Purvis (1994); The Art of the Poster: Makoto Saito with Jan Kubasiewicz (1999); The Graphic Imperative: International Posters of Peace, Social Justice and The Environment 1965–2005 with Chaz Maviyane-Davies and Frank Baseman (2005); Graphic Intervention: 25 Years of International AIDS Awareness Posters 1985–2010 with Javier Cortés (2010); Graphic Advocacy: International Posters for the Digital Age: 2001–2012 (2012) and currently Women’s Rights Are Human Rights: International Posters on Gender-based Inequality, Violence and Discrimination (2016) which investigates gender-based inequalities deeply entrenched in every global society. Her publications include catalogs for the most of the exhibitions mentioned above plus The Social Design Reader, Bloomsbury Visual Arts (2019), Developing Citizen Designers, Bloomsbury Academic (2016), Design for Communication: Conceptual Graphic Design Basics, John Wiley & Sons Publishers (2003) and Graphic Design: A Problem-Solving Approach to Visual Communication, Prentice-Hall Publications”(1984). She has led poster workshops and lectured throughout the United States, Mexico, Ireland, Great Britain, China, South Korea, Iceland, Taiwan, Bolivia, Krakow and Warsaw. Her posters have been accepted at the Warsaw Poster Biennial and Mexican Poster Biennial and she frequently participates in International poster invitational exhibitions.
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